You died before I had time——
Marble-heavy, a bag full of God,
Ghastly statue with one gray toe
Big as a Frisco seal
And a head in the freakish
Atlantic
Where it pours bean green over
blue
In the waters off beautiful
Nauset.
I used to pray to recover you.
Ach, du.
In the German tongue, in the Polish
town
Scraped flat by the roller
Of wars, wars, wars.
But the name of the town is
common.
My Polack friend
Says there are a dozen or
two.
So I never could tell where
you
Put your foot, your root,
I never could talk to you.
The tongue stuck in my jaw.
This
poem was one of the poems she wrote before she committed suicide in 1963, along
with many other poems that ended in his book Ariel, which was published after
her death. This poem consists of sixteen stanzas and five lines, which is a
brutal and contained generally understood poem about his late father, Otto
Plath. She admits that her father died before she actually killed him (You died
before I had time). But here, Plath claims that she didn't kill just one
person. (If I've killed one man, I've killed two). I am guessing that in the
first she confessed to killing her father, and since the only other person in
this poem is her father's model (I made a model of you), I am guessing it was
the second.
Since
her father's death, Plath has become very obsessive about death. She put this
in the stanza of her poem entitled The Lady Lazarus.
Lady Lazarus
And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.
This is Number Three.
What a trash
To annihilate each decade.
What a million filaments.
The peanut-crunching crowd
Shoves in to see
Plath
made several attempts to commit suicide, but was never successful. She wrote about
her suicide attempt in her first novel, The Bell Jar. Plath relates that she
took a bottle of sleeping pills one by one in the basement. But she survived
and was given intensive care for six months.
The
style of writing her poems always add emotions that describe her condition.
Anger, sadness, and frustration are things that are often felt when reading
Sylvia Plath's poems. As in his poem
Mad Girl's Love Song, Plath describes
feelings of broken love and frustration and madness.
Mad Girl’s Love Song
I shut my eyes and all the world
drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.)
The stars go waltzing out in blue and red,
And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.
I fancied you’d return the way you
said,
But I grow old and I forget your name.
(I think I made you up inside my head.)
I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)
Sylvia
repeated the phrase I shut my eyes and all the world drops dead, I assumed that
Plath was trying to escape from her depression. This is reinforced by her words
that darkness took over her life arbitrarily, and arbitrary blackness gallops
in. Then in the next stanza, Plath describes the love and life she gave to a
man who left her. She said that she thought the man would come back as he said.
And Plath also kept imagining the man she loved in her mind.
Another poem by her is “Edge” where she tells us about a woman who
committed suicide after killing her children herself. Plath also commit suicide
she did by sticking her head on oven. However, she save her children by sealing
the room with wet towel and tape. In this poem, she informs the reader about
the condition of women who struggles in this society for her existence.
Edge
The woman is
perfected.
Her dead
Body wears the smile of
accomplishment,
The illusion of a Greek necessity
Flows in the scrolls of her
toga,
Her bare
Feet seem to be saying:
We have come so far, it is over.
Each dead child coiled, a white
serpent,
One at each little
Pitcher of milk, now
empty.
She has folded
Them back into her body as
petals
Of a rose close when the garden
Stiffens and odors bleed
From the sweet, deep throats of the
night flower.
The moon has nothing to be sad
about,
Staring from her hood of bone.
She is used to this sort of thing.
Her blacks crackle and drag.
If we
return to the characteristics and criteria of confessional poetry, these pieces
of poetry are sufficient to meet the criteria; based on real experiences,
deeply personal, and alludes to taboo subjects such as sex, depression, mental
illness, and even suicide. Sylvia Plath's life was short and tragic. However,
her honest and cruel poetry reflects her strong emotions, so that it continues
to touch and hold the attention of generations of readers even today.
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