Five Major Themes in Hamlet

 Major Themes in Hamlet By William Shakespeare 

Hamlet is a famous tragedy by William Shakespeare, a renaissance dramatist, poet and novelist. Hamlet is a story of a young man, Hamlet, who at the end kill himself because of the burden he could not carry more. In Hamlet, we find many universal themes that can be appeared in any person who has love or hate relation with his own family members. Hamlets is a young boy who has just lost his father and not just one month has passed that her mother married to his uncle. These rapid happenings make him uncertain and conscious about his father death. He could not Hamlet is a melancholic person who is living in despair and investigating for the relief of his pain.

Hamlet's themes cover a wide range from revenge and death to uncertainty and the state of Denmark, misogyny, incestuous desire, the complexity of taking action and more.

Revenge in Hamlet

Hamlet starts a play about the murder of his father. There are ghosts, family dramas and vows to take revenge: Hamlet is set to present a story with a tradition of bloody revenge and then no. It is interesting that Hamlet is a tragedy of revenge led by the protagonist who could not commit himself to the act of revenge. Hamlet's inability to avenge the murder of his father, who pushed the attack.

“Revenge his foul and his unnatural murder” (Ghost)

During the show, several different people want to take revenge on someone. However, the story is not at all about Hamlet seeking revenge for the murder of his father - this is quickly resolved during the fifth Law. Instead, most of the play revolves around Hamlet's internal struggle to take action. Therefore, the focus of the play is on questioning the validity and purpose of revenge rather than satisfying the audience's lust for blood.

“No place, indeed, should murder Sanctuarize; Revenge should have no bounds.” (King Claudius)

Death in Hamlet

The weight of the impending mortality permeates Hamlet directly from the initial scene of the play, where the spirit of Hamlet's father introduces the idea of ​​death and its consequences.

In the light of his father's death, Hamlet considers the meaning of life and its end. Will you go to heaven if you are killed? Do kings automatically go to heaven? He is also considering whether suicide is a morally correct action in a world that is unbearably painful. Hamlet is not afraid of death by itself; he is already afraid of the unknown in his last life. In his famous, "To be or not to be" equal, Hamlet determined that no one would continue to hurt life if they were not after what comes after death, and that is the fear that causes moral chaos.

While eight of the nine main characters die at the end of the play, questions about mortality, death and suicide still linger because Hamlet finds no resolution in his research.

Incestuous Desire

The theme of incest lasts throughout the play, and Hamlet and the ghost often think of it in conversations about Gertrude and Claudius, the former daughter-in-law and daughter-in-law who are now married. Hamlet is obsessed with Gertrude's sex life and is generally fixated on her. This topic is also obvious in the relationship between Laertes and Ophelia, since Laertes sometimes speaks to his sister suggestively.

She married: — O, most wicked speed, to post

With such dexterity to incestuous sheets!

It is not, nor it cannot come to good;

But break my heart,—for I must hold my tongue.

Misogyny in Hamlet

Hamlet becomes cynical about women after his mother decides to marry Claudia soon after her husband's death and feels the connection between female sexuality and moral corruption. Misogyny also disrupts Hamlet's relationship with Ophelia and Gertrude. He wants Ophelia to go to a monastery instead of experiencing sexual corruption.

Hamlet starts the play incredibly irritated about his mom's remarriage: in his most memorable discourse, he pours disdain on his mom, and he stretches out that hatred to all ladies. Here he faults the "frailty" of people for his mom's choice. As the play advances, Hamlet uncovers his fixation on a particular type of what he sees as female feebleness: his mom's weakness to sexual enticement. At the point when Hamlet at last defies his mom, her sexuality appears to annoy him. He blames her for “honeying and making love/Over the nasty sty” 

Taking action in Hamlet

The question in Hamlet is how to take effective, purposeful and reasonable actions. The question is not only how to behave, but how he can do it when he is affected not only by rationality but also by ethical, emotional and psychological factors. When Hamlet acts, he acts so blindly, violently and ruthlessly, and not with certainty. Not all the other characters are so worried about acting efficiently before they try to behave properly.

Toward the finish of the play, every one of the significant characters are dead, and another pioneer has come to Denmark to hold onto the privileged position. While Hamlet's incredible internal moral battles "to be or not to be," to get payback or to remain his hand, to rise to the privileged position or to mull in indefinite quality have been gradually unfurling, the wheels of the world have continued to turn. Passing has come for every one of the central parts, and keeping in mind that some have been killed because of Hamlet's activities, others have been killed by his inaction. Passing is humanity’s incredible adjuster, and Shakespeare shows that it does not separate between the bold and the fainthearted, the roused and the unfortunate, or the great and the devilish.

“Haste me to know't; that I, with wings as swift/ As meditation or the thoughts of love,/ May sweep to my revenge”